Giada Ganassin

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	<title>Giada Ganassin</title>
	<link>https://giadaganassin.com</link>
	<description>Giada Ganassin</description>
	<pubDate>Tue, 16 Jun 2026 15:02:05 +0000</pubDate>
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		<link>https://giadaganassin.com/homepage</link>

		<pubDate>Mon, 19 Aug 2024 13:54:15 +0000</pubDate>

		<dc:creator>Giada Ganassin</dc:creator>

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	&#38;nbsp;&#38;nbsp;GIADA GANASSIN

&#38;nbsp;&#60;img width="872" height="854" width_o="872" height_o="854" data-src="https://freight.cargo.site/t/original/i/8c675fb460e28e2808223ef8efd6fe011611d0847c725664064b7786db73df53/Schermata-2026-04-13-alle-18.36.24.png" data-mid="247137305" border="0" data-scale="77" src="https://freight.cargo.site/w/872/i/8c675fb460e28e2808223ef8efd6fe011611d0847c725664064b7786db73df53/Schermata-2026-04-13-alle-18.36.24.png" /&#62;
Le reve d’Ulysse / Il sogno d’Ulisse, 202635 x 27 cm
oil and acrylic on canvas
	PAINTING &#38;nbsp;DRAWING&#38;nbsp; PUBLIC SPACE &#38;nbsp;OBJECTS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;ARCHIVE


Born in Ivrea (Italy) in 1988 and based in Paris for the past ten years, Giada Ganassin is a contemporary artist whose work is sensitive and multifaceted. After one academic year studying comparative literature, she turned to graphic design and the applied arts, training in Italy, Germany, and the Netherlands. She is one half of Bureau idéal, a duo formed with François Bonnot that creates objects straddling the line between art and design. For the past three years, Ganassin has focused on painting: a practice that is both a new beginning and the natural culmination of her work, in which drawing and the line serve as the central matrix. In Ganassin’s work, words are transformed into figures and motifs that compose a language of universal intimacy. Added to this are the memory of an enduring family history of displacement and the poetic need for a space of reverie and imagination in which to inhabit the world. Ganassin’s paintings are thus fragments of this private space, fragments that reflect and evoke, that make us pause and bring us fully into the present.
Giada’s work has been featured in solo and group exhibitions across Europe (France, the Netherlands, Portugal, Italy, the United Kingdom), it covered the tramway that runs through the city of Angers in France in the summer of 2024 as part of the Échappées d’art festival; since the 2025 edition of Un été au Havre, it adorns the surface of the concrete wind shelter built on the seaside following the city’s reconstruction, as well as the walls of the Centro Empresario 3as in Maia, Porto, where Giada created for the 2017 Bienal da Maia a azulejos mural inspired by the female workers of the factory that was once on the site.
︎︎︎ Email︎︎︎ Instagram︎︎︎ Bureau Idéal

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		<title>PAINTING</title>
				
		<link>https://giadaganassin.com/PAINTING</link>

		<pubDate>Mon, 20 Apr 2026 15:09:38 +0000</pubDate>

		<dc:creator>Giada Ganassin</dc:creator>

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		<description>GIADA GANASSIN
PAINTING &#38;nbsp; DRAWING&#38;nbsp; PUBLIC SPACE&#38;nbsp; OBJECTS&#38;nbsp; ARCHIVE

PAINTING
2023 - ungoing


&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/7e638c20e9d7452ec8dabad27b4374cf9d7322b90cbea922f6f9abfcd89aca26/atelier_juin.jpg" data-mid="249632008" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/7e638c20e9d7452ec8dabad27b4374cf9d7322b90cbea922f6f9abfcd89aca26/atelier_juin.jpg" /&#62;Jour de pluie&#38;nbsp;2026
80x110 cmoil and acrylic on canvas
&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/210e2870ddd647667b9e969e3393bb59b288f9651f9188dd7b0521d290821adb/deuxhorizontal-copia.jpg" data-mid="249498462" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/210e2870ddd647667b9e969e3393bb59b288f9651f9188dd7b0521d290821adb/deuxhorizontal-copia.jpg" /&#62;Deux horizontal&#38;nbsp;2026
80x100 cmoil and acrylic on linen

&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/b0ba8e60333e94a5b9f810922279b06a73dbc689a512b516e710581dae06f8eb/hatesherbes.jpg" data-mid="249632865" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/b0ba8e60333e94a5b9f810922279b06a73dbc689a512b516e710581dae06f8eb/hatesherbes.jpg" /&#62;Les hautes herbes&#38;nbsp;2026
16x23 cmoil on canvas

&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/b175a0bbe8564071f7f4d6d4326caccad821902d29f6ca463a9825b5d453a384/hautesherbes.jpg" data-mid="249499125" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/b175a0bbe8564071f7f4d6d4326caccad821902d29f6ca463a9825b5d453a384/hautesherbes.jpg" /&#62;Fourmi&#38;nbsp;2026
38x28 cmoil and acrylic on canvas

&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/59d9b0ac0d89a0cb5178cce803e3754e3a1c7e93797ade0bc75fca8914bac6d7/festinalente.jpg" data-mid="249499133" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/59d9b0ac0d89a0cb5178cce803e3754e3a1c7e93797ade0bc75fca8914bac6d7/festinalente.jpg" /&#62;Festina lente&#38;nbsp;2026
19x12 cmoil on canvas

&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/ca4ec98a594cdfc582c2d331e159740fe4ef3a96f5f76b5084f7eef2c965c063/Mimosa.png" data-mid="247426840" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/ca4ec98a594cdfc582c2d331e159740fe4ef3a96f5f76b5084f7eef2c965c063/Mimosa.png" /&#62;Mimosa&#38;nbsp;2026
38x28 cmoil and acrylic on canvas
&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/49865dde7582620451da7e80f7eb6324904122620f4cb503c1d3e4a26a64217c/cerise.png" data-mid="247426839" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/49865dde7582620451da7e80f7eb6324904122620f4cb503c1d3e4a26a64217c/cerise.png" /&#62;
Cerise&#38;nbsp;2026

51x33 cmoil and acrylic on canvas

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Le rêve d’Ulysse&#38;nbsp;2026

35x27 cmoil and acrylic on canvas


&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/20ea92f860da0b19728aa25759224e442aca23cf189338703d5e378f495d6e56/derniermetro.png" data-mid="247426853" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/20ea92f860da0b19728aa25759224e442aca23cf189338703d5e378f495d6e56/derniermetro.png" /&#62;Dernier métro 2025
81x100 cmoil and acrylic on canvas
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/1759a5ff8d376fc49a83e1755161e56e60430ee4936a41d6a56993ed2995af8f/IMG_8246.jpg" data-mid="247426822" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/1759a5ff8d376fc49a83e1755161e56e60430ee4936a41d6a56993ed2995af8f/IMG_8246.jpg" /&#62;L’onda&#38;nbsp;2024
35x35 cmoil and acrylic on canvas paper
	

The bodies the artist paints on her canvases are spaces in their own right. They possess a statuesque presence and an imposing gentleness. Forms with rounded contours, exist with a quiet power. 
In the smaller works — a format characteristic of the artist’s early paintings — lunar faces take center stage, sometimes spilling beyond the edges of the frame. Bodies rooted like the Piedmontese mountains at the foot of which the artist grew up, and which, like those mountains, can be both an obstacle and a refuge for everyone. While the subjects of the drawings on paper are reduced to the clean lines of their outlines, the artist’s canvases become more ethereal, with undulating and sometimes slightly blurred contours. The body of work resonates as a unified whole, with a consistent treatment of both the foreground and background in the canvases. The shape of a face echoes the mountain in the background of the work *Mimosa* (2026). The curve of a finger follows the stem of a fruit in *Cerise* (2026), while the close-up faces in the works *Les hautes herbes* (2026) and *Fourmi* (2026) seem to emerge from the blades of grass upon which they rest.Ganassin goes through several stages to create her paintings, though she does not follow a specific protocol. A sketch may sometimes precede the canvas — such as a photograph taken on the spot on the street or on public transportation. 
Municipal painting classes have taught her certain techniques and refined the way she likes to work. The artist paints as she draws, with quick, spontaneous strokes, seeking to capture the moment. Linseed oil, which dries slowly, allows her to shape her composition and to go back over or add elements once her first version is complete. Beneath the very thin layers of oil paint, accents of fluorescent acrylic catch the light and illuminate the space of the canvas from within.The interior — the central subject of these paintings — draws us into their peaceful introspection. Ganassin’s figures have their eyes closed, which does not mean they are asleep. Depicted in open, outdoor settings — which we instinctively assume to be public spaces when viewing the paintings — they seem to exist in their own world, without, however, completely escaping our shared reality. 
A window, a house, a mountain: there always seems to be both an exit and an entrance into this inner world with its softened contours. In the most recent paintings, the settings become more precise, the figures more numerous. Silhouettes in *Rainy Day* are pressed against one another on a bus, temporarily inhabiting this shared, shifting, and transient space. Two female figures in *Dernier métro*, tenderly connected, their minds or bodies weary, with their backs to a staircase leading toward whatever each viewer chooses to imagine.
Anna Priot-Daran

︎︎︎ Email︎︎︎ Instagram︎︎︎ Bureau Idéal
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		<title>DRAWING</title>
				
		<link>https://giadaganassin.com/DRAWING</link>

		<pubDate>Mon, 20 Apr 2026 18:20:20 +0000</pubDate>

		<dc:creator>Giada Ganassin</dc:creator>

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		<description>GIADA GANASSIN
PAINTING&#38;nbsp; DRAWING&#38;nbsp; PUBLIC SPACE&#38;nbsp; OBJECTS &#38;nbsp;ARCHIVE
DRAWING
2011 - ungoing


&#60;img width="1876" height="1338" width_o="1876" height_o="1338" data-src="https://freight.cargo.site/t/original/i/80992ea209afcdacdb688574cab582c16784e4e9ec54b2e4276c8db8b8c37bf6/Schermata-2026-10-29-alle-11.49.29.png" data-mid="253959017" border="0"  src="https://freight.cargo.site/w/1000/i/80992ea209afcdacdb688574cab582c16784e4e9ec54b2e4276c8db8b8c37bf6/Schermata-2026-10-29-alle-11.49.29.png" /&#62;
The story of the lost stories 2026 - Oaza Books
&#60;img width="2480" height="1772" width_o="2480" height_o="1772" data-src="https://freight.cargo.site/t/original/i/5c572e4e54a71148bb024a60c7421c7dba3439f8a6b20c115183140c9c762010/gg-d-5.jpeg" data-mid="247434283" border="0"  src="https://freight.cargo.site/w/1000/i/5c572e4e54a71148bb024a60c7421c7dba3439f8a6b20c115183140c9c762010/gg-d-5.jpeg" /&#62;Disegni&#38;nbsp;2023 -  Published by DITO Publishing


&#60;img width="590" height="590" width_o="590" height_o="590" data-src="https://freight.cargo.site/t/original/i/d60ca52ed19e9378dd080a4856c8f2023f5579a63f1db0c4c06b1e5f3806fd7f/GIADA-GANASSIN_590x590.jpg" data-mid="247434268" border="0"  src="https://freight.cargo.site/w/590/i/d60ca52ed19e9378dd080a4856c8f2023f5579a63f1db0c4c06b1e5f3806fd7f/GIADA-GANASSIN_590x590.jpg" /&#62;La nuit n’est jamais compléte&#38;nbsp;2019 -&#38;nbsp; Riso avec Quintal Studio


&#60;img width="1536" height="1024" width_o="1536" height_o="1024" data-src="https://freight.cargo.site/t/original/i/818e2ccc0b76a3ccedeb8eb099a998ab2f7763bc060b816e47153ae9035f8ee3/15289170_301295560264366_8197289308574829537_o.jpg" data-mid="247434267" border="0"  src="https://freight.cargo.site/w/1000/i/818e2ccc0b76a3ccedeb8eb099a998ab2f7763bc060b816e47153ae9035f8ee3/15289170_301295560264366_8197289308574829537_o.jpg" /&#62;
&#60;img width="1024" height="1536" width_o="1024" height_o="1536" data-src="https://freight.cargo.site/t/original/i/51648b66032a93fd0269762653bf04d684128c27c3a3ec05e518b977df5d3481/11.jpg" data-mid="249511278" border="0"  src="https://freight.cargo.site/w/1000/i/51648b66032a93fd0269762653bf04d684128c27c3a3ec05e518b977df5d3481/11.jpg" /&#62;
Bouquet&#38;nbsp;2016 - Illustration winter school Porto PT


&#60;img width="894" height="884" width_o="894" height_o="884" data-src="https://freight.cargo.site/t/original/i/916287766322f32fb4784b1a07c8d5e2dd8934b4c3697e1bf45c81018711d45c/Schermata-2016-09-05-alle-14.12.08.png" data-mid="247434463" border="0"  src="https://freight.cargo.site/w/894/i/916287766322f32fb4784b1a07c8d5e2dd8934b4c3697e1bf45c81018711d45c/Schermata-2016-09-05-alle-14.12.08.png" /&#62;&#60;img width="1212" height="592" width_o="1212" height_o="592" data-src="https://freight.cargo.site/t/original/i/4e371e053660c170953c026492a4bd5cdac4bdcc732d6762f5c086eb564f910b/Schermata-2022-11-09-alle-19.31.06.png" data-mid="247434270" border="0"  src="https://freight.cargo.site/w/1000/i/4e371e053660c170953c026492a4bd5cdac4bdcc732d6762f5c086eb564f910b/Schermata-2022-11-09-alle-19.31.06.png" /&#62;
Cala Bonita Ibiza 2014 -&#38;nbsp;AD Fabio Ongarato Studio

&#60;img width="569" height="427" width_o="569" height_o="427" data-src="https://freight.cargo.site/t/original/i/48e8cdb39d01c6838cd7ca93452c20348c40ec2238e1992a80c0ee84337fb96d/riposte1.jpg" data-mid="247434269" border="0"  src="https://freight.cargo.site/w/569/i/48e8cdb39d01c6838cd7ca93452c20348c40ec2238e1992a80c0ee84337fb96d/riposte1.jpg" /&#62;&#60;img width="940" height="565" width_o="940" height_o="565" data-src="https://freight.cargo.site/t/original/i/1d80991e513f39e281262da1622913689847421b5c5577c70851195cdd255265/riposte2.jpg" data-mid="247434458" border="0"  src="https://freight.cargo.site/w/940/i/1d80991e513f39e281262da1622913689847421b5c5577c70851195cdd255265/riposte2.jpg" /&#62;Riposte Magazine issue 2&#38;nbsp;2014Illustrations along Amy Key’s poems

&#60;img width="567" height="567" width_o="567" height_o="567" data-src="https://freight.cargo.site/t/original/i/f59a8f152993910e7f5673ef74754e92b40452b7e80b1005fbec0dfbeae51529/youarecute3.jpg" data-mid="247434272" border="0"  src="https://freight.cargo.site/w/567/i/f59a8f152993910e7f5673ef74754e92b40452b7e80b1005fbec0dfbeae51529/youarecute3.jpg" /&#62;You are cute flipbook&#38;nbsp;2013Published by Napa Books
	
The story of the lost stories 2026 - Oaza Books (coming soon)

Illustrations for the short novel written by the croatian writer Slavenca Drakulic published by Oaza Books
Disegni 2023 - published by DITO PUBLISHIG
A collection of drawings
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
La nuit n’est jamais compléte 2019 - Riso avec Quintal StudioInspired by Francis Ponge’s poem, this image utilises the purcentage of the transparency gradient of each color emploied within the riso printing process to fill and compose the drawing.
A face appears among all the numbers.
Both a guide to the art of riso printing and a poetic way to draw with numbers.Bouquet 2016 - Illustration winter school Porto PT
How to get to know a place we are not familiar with?
I picked and collected what I found on the groud during a walk in one of Porto’s popular neigbourhoods.
Once home, I composed a bouquet out of my findings.A portrait of the people inhabiting the space emerges.
Cala Bonita Ibiza 2014 - AD Fabio Ongarato Studio
Illustrations for the restaurants menu and identity.
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		<title>PUBLIC SPACE</title>
				
		<link>https://giadaganassin.com/PUBLIC-SPACE</link>

		<pubDate>Tue, 05 May 2026 13:33:42 +0000</pubDate>

		<dc:creator>Giada Ganassin</dc:creator>

		<guid isPermaLink="true">https://giadaganassin.com/PUBLIC-SPACE</guid>

		<description>GIADA GANASSIN
	
	
PAINTING&#38;nbsp; DRAWING&#38;nbsp; PUBLIC SPACE&#38;nbsp; OBJECTS&#38;nbsp; ARCHIVE
PUBLIC SPACE
2017 - ungoing


&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/f95b9f54b0309812dc507f2862e13339838d7b95139db55ab30ba33cb7d6ea74/IMG_3230.jpg" data-mid="247884821" border="0"  src="https://freight.cargo.site/w/1000/i/f95b9f54b0309812dc507f2862e13339838d7b95139db55ab30ba33cb7d6ea74/IMG_3230.jpg" /&#62;
&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/994e3ca78909871945b0486c615015a868be7049df0919e58b884b73a1939061/Bureau-Ideal---A-revers--revera-c-Laurent-Lachevre-1.jpg" data-mid="249511217" border="0"  src="https://freight.cargo.site/w/1000/i/994e3ca78909871945b0486c615015a868be7049df0919e58b884b73a1939061/Bureau-Ideal---A-revers--revera-c-Laurent-Lachevre-1.jpg" /&#62;à revers revera 2025 / avec François Bonnot as BUREAU IDéAL

Un été au Havre, LE HAVRE FR - AD Gael Charbau
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/bd3be4f7468d91ed8bf8362a1d988b6845c37c4ceb701248da7396518a7a6141/detail_villesinvisibles.jpg" data-mid="247884801" border="0"  src="https://freight.cargo.site/w/1000/i/bd3be4f7468d91ed8bf8362a1d988b6845c37c4ceb701248da7396518a7a6141/detail_villesinvisibles.jpg" /&#62;
&#60;img width="2074" height="1159" width_o="2074" height_o="1159" data-src="https://freight.cargo.site/t/original/i/c7f589ed572674ba4a694483d5b45d5214277b2afabd46f800ca5e893fcc619a/lesvillesinvisibles.jpg" data-mid="247884798" border="0"  src="https://freight.cargo.site/w/1000/i/c7f589ed572674ba4a694483d5b45d5214277b2afabd46f800ca5e893fcc619a/lesvillesinvisibles.jpg" /&#62;Les villes invisibles&#38;nbsp;2024
Festival Echappées d’art, ANGERS FR - AD Manifesto
&#60;img width="1121" height="1500" width_o="1121" height_o="1500" data-src="https://freight.cargo.site/t/original/i/94618fed1b6119320e868d82095cf3d9344f2149e4dc4cd6f893c1f11156380c/GGanassin_After-Work-Play_LR-11a.jpg" data-mid="247884800" border="0"  src="https://freight.cargo.site/w/1000/i/94618fed1b6119320e868d82095cf3d9344f2149e4dc4cd6f893c1f11156380c/GGanassin_After-Work-Play_LR-11a.jpg" /&#62;
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Afterwork play&#38;nbsp;2017

Bienal da Maia, PORTO PT - AD Sergio Alves

	
Un été au Havre, LE HAVRE FR 2025 - AD Gael Charbau
à revers revera 2025 / avec François Bonnot as BUREAU IDéAL

Built in 1967 by architects Hermant and Déchenaud as a shelter from the wind for the parents of children playing on the beach — and inspired by the carousels of their childhood — this concrete kiosk stands as a testament to Le Havre’s reconstruction and remains etched in the memories of several generations of Le Havre residents. After years of neglect, the city government carried out a restoration project, and an artistic installation was planned for the building’s roof to coincide with the 2025 edition of “Un été au Havre.” 
The design invites residents to approach the shelter and observe it from various angles—facing the sea and facing the city. As the work’s palindromic title suggests, “À revers revera” refers to the movements of people and the flows that have shaped and continue to animate this port city, from which one scans the horizon and which is viewed from the open sea. 
The birds — the city lies along the migratory flight path southward— thus mingle with the faces and bodies of the figures, as if swept by the wind, and become a symbol of the movement that animates living beings, shapes cities, and enriches the spirit.Festival Echappées d’art, ANGERS FR 2024 - AD Manifesto
Les villes invisibles 2024
Drawing for the tram’s coveringTitled *The Invisible Cities*, in reference to Italo Calvino’s 1972 book, the project is inspired by my wanderings through the city of Angers and by the closed — or infinite? — loop of this tram route, which runs from the outskirts to the city center. A daily route that becomes a drawing; that moves, transports, stops, and then sets off again. 
To compose this drawing, I drew from the roots of the city and the words that define it, breaking down the names of the neighborhoods through which this tram line passes to extract motifs; then I delved into the municipal collections, exploring Angers’ history, the richness of its tapestries, and the discoveries from the archaeological excavations that preceded the construction of the tracks. 
From this tangible, locally rooted material, I created a mural with clean lines, populated by rounded faces and forms reduced to their essence. From the leaf to the tram, the design covers the doors and windows, coming to life at every stop and thus accompanying the journey—whether imagined or real—of the city’s residents and visitors from afar.Bienal da Maia, PORTO PT 2017 - AD Sergio AlvesAfterwork play 2017
Drawings for the azulejos tiles
The five walls at the entrance to Fabrica 3as depict a day in the life of a female worker at the local factory, from dawn to dusk. The factory, which was very active in the 1950s (and has since been transformed into a startup incubator), produced vegetable oil and attracted workers from all over the country. The workers’ housing was scattered around the factory, as their lives and work were closely intertwined. 
The figures depicted along the walls are surrounded by a landscape that serves both as an essential element of the factory’s production and as a backdrop to daily activities. Similarly, the dematerialization of work confines us to increasingly restricted spaces—or even uproots us entirely—and challenges the boundaries between work time and leisure time.

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		<title>OBJECTS</title>
				
		<link>https://giadaganassin.com/OBJECTS</link>

		<pubDate>Tue, 16 Jun 2026 15:02:05 +0000</pubDate>

		<dc:creator>Giada Ganassin</dc:creator>

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		<description>GIADA GANASSIN
	
	
PAINTING&#38;nbsp; DRAWING&#38;nbsp; PUBLIC SPACE&#38;nbsp; OBJECTS&#38;nbsp; ARCHIVE
OBJECTS
2019 - ungoing


&#60;img width="3264" height="4928" width_o="3264" height_o="4928" data-src="https://freight.cargo.site/t/original/i/e10ced7d7262468d71042d2687e8fc13e6fa2e8cb018835b32ea75304c2f9dab/BureauIdeal_TempiBui4_PDW25.png" data-mid="249510731" border="0"  src="https://freight.cargo.site/w/1000/i/e10ced7d7262468d71042d2687e8fc13e6fa2e8cb018835b32ea75304c2f9dab/BureauIdeal_TempiBui4_PDW25.png" /&#62;Tempi bui&#38;nbsp;2025 / avec François Bonnot as BUREAU IDéAL
argile, bois, ampoule, circuit electrique

&#60;img width="3264" height="4928" width_o="3264" height_o="4928" data-src="https://freight.cargo.site/t/original/i/b82a125282662d02a9d38c7ac05f4f3f60fac9863b333050c58a6b30bd701bca/Bureauideal_teteatete.jpg" data-mid="249510747" border="0"  src="https://freight.cargo.site/w/1000/i/b82a125282662d02a9d38c7ac05f4f3f60fac9863b333050c58a6b30bd701bca/Bureauideal_teteatete.jpg" /&#62;
&#60;img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/dbd859adee1cf2942ee078c9e21cbbc97fea9b3dc930a9b4ac2dcf24e7d1783a/Bureauideal_teteatete_1.jpg" data-mid="249510745" border="0"  src="https://freight.cargo.site/w/1000/i/dbd859adee1cf2942ee078c9e21cbbc97fea9b3dc930a9b4ac2dcf24e7d1783a/Bureauideal_teteatete_1.jpg" /&#62;
&#60;img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/426f469fb8a8c1e477495dc99dcfe004427e968c15daca492dcd135dad99fdde/Bureauideal_teteatete_detail3.JPG" data-mid="249510744" border="0"  src="https://freight.cargo.site/w/1000/i/426f469fb8a8c1e477495dc99dcfe004427e968c15daca492dcd135dad99fdde/Bureauideal_teteatete_detail3.JPG" /&#62;Tete à tete&#38;nbsp;2024 / avec François Bonnot as BUREAU IDéAL
carreaux en faience emaillés, bois, pompe à eau


&#60;img width="870" height="1087" width_o="870" height_o="1087" data-src="https://freight.cargo.site/t/original/i/3074b3650f253dc2d743bc6847083440fb390df65a2ed31c59bf237bf9e4c2bb/lahautetoiles.jpg" data-mid="249510474" border="0"  src="https://freight.cargo.site/w/870/i/3074b3650f253dc2d743bc6847083440fb390df65a2ed31c59bf237bf9e4c2bb/lahautetoiles.jpg" /&#62;Là haut les etoiles&#38;nbsp;2023 / avec François Bonnot as BUREAU IDéAL
aluminium, bois, laiton


&#60;img width="1333" height="1999" width_o="1333" height_o="1999" data-src="https://freight.cargo.site/t/original/i/a003b5382680c00be02ff95efaac37e9ca35db03a7f6205686df919b44531078/229246-giada-ganassin-fresco--20220701-141617-img-8765.jpeg" data-mid="249510401" border="0"  src="https://freight.cargo.site/w/1000/i/a003b5382680c00be02ff95efaac37e9ca35db03a7f6205686df919b44531078/229246-giada-ganassin-fresco--20220701-141617-img-8765.jpeg" /&#62;&#60;img width="1333" height="1999" width_o="1333" height_o="1999" data-src="https://freight.cargo.site/t/original/i/3ee7dc65b1a79233bf0b1875447ff8eee6b46bce1b731dacc41f773662ef545c/229246-giada-ganassin-fresco--20220701-141615-img-8763.jpeg" data-mid="249510408" border="0"  src="https://freight.cargo.site/w/1000/i/3ee7dc65b1a79233bf0b1875447ff8eee6b46bce1b731dacc41f773662ef545c/229246-giada-ganassin-fresco--20220701-141615-img-8763.jpeg" /&#62;
Erikona&#38;nbsp;2019

avec Mum’s&#38;nbsp;- a collection of rugs to carry anywhere you go

	
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		<title>Page Nav</title>
				
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		<pubDate>Mon, 19 Aug 2024 13:54:15 +0000</pubDate>

		<dc:creator>Giada Ganassin</dc:creator>

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